Main Features - Choice of 24, 32 and 40 channel frame sizes
- 12 monitor sends with 1-8 mono and 9-12 stereo
- UltraMic Plus preamp and +48V Phantom Power switch on each channel
- Split Out connectors allow input to be sent directly to a Front-of-House mixer without the need for special cables or splitter boxes Pre-EQ insert point on all mono channels
- 4-band EQ section with two mid-sweep frequencies on every mono input
- Dim switch alleviates feedback problems by immediately attenuating monitor output by 6dB
- Sub-grouping facility on channels 1-10 allows console to be used as Front of House mixer
- 100mm faders with consistent, accurate response on all outputs
- Rackmountable external power supply (2U)
Mono Inputs
Mic/Line Input - female XLR
48V Phantom Power switch
Split Out - male XLR
Allows input signal to be sent to FOH mixer Insert Tip - send; Ring - return 180° Phase Reverse switch
Padless Input Sensitivity control
+6 to -60dBu High Pass Filter 100Hz, 18dB/octave EQ Section
HF: 13kHz ±15dB
HMID: 550Hz to 13kHz ±15dB
LMID: 80Hz to 1.9kHz ±15dB
LF: 60Hz ±15dB EQ In/Out switch
Monitor Sends
Mono Sends 1 to 8
Stereo pairs 9/10, 11/12
All normally Post-Fade/ Post-EQ switchable to Pre-Fade/Post-EQ by pressing
associated PRE switches Mute
Mutes input channel including monitor sends.
This is indicated when associated LED lights Fader 60mm fader to control input levels Signal Present LED
PFL/Peak
Latching PFL with LED solo's input for monitoring.
When switched out, LED acts as channel peak indicator OUTPUT SECTION These outputs provide summing of corresponding input channel monitor sends.
Outputs 1-8 are configured as mono sends, 9/10 and 11/12 are stereo. Outputs Monitor stage outs on impedance-balanced male XLRs Graphic EQ (Inserts)
Two 1/4" jacks allow connection of a graphic equaliser across a stage monitor Bargraph meters
3-colour, 12 segment meter which can be switched Pre/Post EQ (inserts) MNTR control
Rotary control of engineer's wedge/headphones level,switchable Pre/Post EQ(inserts) Solo Solo's the monitor output on the engineers wedge/headphones FOH facility (outputs 1-10)
Sub-grouping to outputs 11-12 for console's use as FOH mixer Pan Allows signal to be sent individually to monitors 11-12 FX Returns
A choice of two stereo FX returns (RET1, RET2). May be mixed direct to the stage
monitor output. FX connected by FX1/FX2 1/4" jacks Mute Disables stage monitor send. LED lights when mute is active High Pass Filter
Variable from off-160Hz (1-8 only)
Fixed 60Hz Filter (9-12 only) T/B Routes Talkback mic signal to monitor out Dim Attenuates monitor output by 6dB if feedback occurs Fader 100mm fader controls overall level of each output House (Inputs 9-10, 11-12)
Rotary control determines level of "house" mics being sent to the monitor output when in-ear monitors are being used Wedges Two male XLRs for connection to engineer's monitor wedges MASTER SECTION L & R Bargraph Meters 3-colour, 12 segment Phones Level Control Sets level to phones jack Solo/PFL Trim
Provides ±15dB level adjustment to allow for differences in operating levels Wedge Source
Selects monitor outputs 11-12 as source for engineer's wedge outputs, if console is being used as a FOH desk House Mics
Two balanced female XLR inputs allow connection of mics to provide ambience for in-ear monitors House Sens
Control sets house mic input level with +48V Phantom Power available for condenser microphones FX Returns
Two balanced stereo returns which may replace house mic level in monitors 9-12 when HOUSE switch is pressed T/B Sensitivity Controls T/B mic level to selected monitor outputs Master T/B Routes Talkback signal to ALL monitor outputs Master Dim Attenuates ALL monitor outputs and wedges output by 6dB Fader 100mm fader controls overall level of engineer's wedge 
| Noise | | Measured RMS, 22Hz-22kHz bandwidth.
Inputs at unity gain and terminated 150.
Output Noise 24 inputs routed, sends down, master @ unity < -80dBu
Mic EIN measured @ max. gain
(150 terminated) -129dBu | | THD & N | | Mic sensitivity -10dBu, faders @ unity, send @ max., +20dBu @ all outputs @ 1kHz <0.005% | | Crosstalk | | @ 1 kHz, typical
Channel send range > 90dB
Channel fader range > 80dB
Mute attenuation > 100dB
Adjacent output isolation > 90dB | | CMRR | | Typical @ max. gain @ 1kHz > 85dB
Typical @ any gain @ 50Hz > 65dB | | Frequency Response | | Input to output, medium gain, via output (High Pass Filter off)
15Hz - 45kHz < -3dB
25Hz - 25kHz < -1dB | | Typical Input & Output Levels | | Max. output > +22dBu
Max. signal into mic input +28dBu
Max. signal into FX Return
& Insert Return +22dBu
Max. sensitivity of FX Return
(output faders @ unity) -15dBu
Max.level into Talkback Mic input +3dBu
Max. level into House Mic input +8dBu
Headphones (@ 200) 150mW | | Input & Output Impedances | | Mic input 1.8k
FX returns 8.6k
Monitor Outputs, Wedges & Inserts 75 | | Dimensions | | 24 ch 591mm (23.3")H x 1201mm (47.3")W x 88mm (3.5")D
32 ch 591mm (23.3")H x 1455mm (57.3")W x 88mm (3.5")D
40 ch 591mm (23.3")H x 1709mm (67.3")W x 88mm (3.5")D | |
