제 품 정 보 | |
제품모델 |
DTC-59ES |
색상 |
검정 |
수량 | 1대 |
제품상태 | 110V 제품입니다. 변압기가 필요하고 변압기는 별매 입니다. |
박스유무 | 없음 ( 자체적으로 안전하게 포장해서 발송해드립니다.) |
출고지 | 코리아사운드 본사 |
배송방법 | 로젠택배 |
배송비 | 선불. 판매자 부담 |
배송기간 | 당일배송 |
Serial copy management system
This unit utilizes the serial copy management system
that permits digital-to-digital recording tor one generation. You can record CD
sound or other digital formats through a digital-to-digital
connection.
Date Function
Automatically Stores The Recording Date And Time
The year, month, day, day of the week, hour, minute
and second are automatically memorized in the subcode area during recording, so
that during playback you can display this data to check when the tape was
recorded. This function is especially convenient when recording live
performances, etc.
Three sampling
frequencies
Recording/playback can be done
with three sampling frequencies (48 kHz, 44.1 kHz and 32 kHz).
48 kHz: For
analog and digital input signals in a standard mode.
44.1 kHz: For compact
disc and pre-recorded DAT tape.
32 kHz: For analog input signals in a
long-play mode.
Long play
mode
This unit can operate in a long-play
mode. Analog input signals can be recorded or playback for up to four
consecutive hours when the DT-120 DAT cassette tape is used. The sampling
frequency will be 32 kHz in the long play mode.
Visible cassette loading
You can view the tape operation through the lid of the
cassette compartment. Due to a revolutionary new transport mechanism, cassette
loading time has been significantly reduced.
Excellent sound quality
• 1-bit A/D
converter - For the A/D converter section
which converts analog input signals to digital signals, the unit employs a 1-bit
A/D converter which theoretically generates no zero-cross distortion for a
clear, elegant sound quality.
• Pulse
D/A converter - Superior playback performance
is achieved with a 1-bit D/A converter.
Digital Fade In and Out
Professional sounding fade-in/fade-out of either
digital or analog signals can be accomplished by use of the FADER
button.
Rich variety of subcode
information
This unit can record subcode
information such as Start IDs, program numbers, Skip IDs, and absolute time
data, enabling you to quickly locate tunes and display the playback time in the
same manner as when playing compact discs.
Post edit recording of sub codes
You can record or rewrite the following sub codes
after the audio signal recording has been completed. Start ID: Signifies
the beginning of a selection.
Program
number: Gives a number to the
selection.
Skip ID: Signifies the beginning of a portion to be
skipped.
End ID: Signifies the end position of recording/
playback.
Since sub codes are written on the tape separately from audio
signals, the audio signals are not affected.
Tape | Digital audio tape |
Recording head | Rotary head |
Recording time | Standard: 120 minutes Long-play mode: 240 minutes (with DT-120) |
Tape speed | Standard: 8.15 mm/s Long-play mode: 4.075 mm/s |
Drum rotation | Standard: 2,000 rpm Long-play mode: 1,000 rpm |
Error correction | Double-Read Solomon code |
Track pitch | 13.6 µm (20.4 µm) |
Sampling frequency | 48 kHz, 44.1 kHz, 32 kHz |
Modulation system | 8-10 Modulation |
Transfer rate | 2.46 Mbit/sec |
Number of channels | 2 channels, stereo |
D/A conversion (Quantization) | Standard: 16-bit linear Long-play mode: 12-bit non-linear |
Frequency response | Standard: 2-22,000 Hz (±0.5
dB) Long-play mode: 2-14,500 Hz (±0.5 dB) |
Signal-to-noise ratio | Standard: more than 92 dB Long-play mode: more than 92 dB |
Dynamic range | Standard: more than 92 dB Long-play mode: more than 92 dB |
Total harmonic distortion | Standard: less than 0.0045% (1
kHz) Long-play mode: less than 0.08% (1 kHz) |
Wow and flutter | Below measurable limit (±0.001% W. PEAK) |
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