CL 2A is the true allround stereo opto compressor.
Use it on keyboards, guitars, vocals or even on the mix buss - the result is always musical, smooth and transparent. Among engineers, the CL 2A is known as a “problem solver” because of its ability to keep instruments at their right place in the mix, while still retaining their dynamics.
CL2A versus CL1B:
CL2A is based on the CL1B, but it''s not a stereo CL1B!
Some differences exist between the two units:
CL2A features a different optical element, with a little more "soft"or "rounded" action compared to the element in the CL1B.
The amount of transparency you get when using the CL2A is similar to the CL1B.
The tube amplifier circuit is basically the same, with the main difference being that the input transformer and the tube amps in the CL2A delivers a more "normal" amount of gain compared to the CL1B
The control circuit has been changed so the CL2A''s max release time is two seconds.
Listen to a comparison between TUBE-TECH compressors
Read more about the differences between the optical TUBE-TECH compressors
Gear Slutz Thread about the differences between CL1B and CL2A
CL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain reduction element is placed after the input transformer and followed by an all tube-based output amplifier with a +10 dB gain. A link switch is provided for use of the two separate compressors in stereo mode or for linking several compressors together.
Both Input and Output are balanced and have fully floating transformers with a static screen.
The power supply and the sidechain circuit are based on solid state designs.
With the exception of the anode voltage for the output stage, all DC voltages are stabilized.
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