RP 시리즈의 끊없는 진보의 결정판.
새로운
시작!!!!
RP500
>
기존 RP와는 전혀 다른 외장형태로서 늘어난 풋스위치를 통해 프리셋 사용의 한계를 벗어났으며 버튼도
플라스틱이 아닌 버튼형태의 메탈제질로 제작되었습니다.
>
톤&이펙터 라이브러리 노브를 사용하여 빠르게 사운드를 선택할 수 있습니다.
> 오디오
DNA2 커스텀 DSP칩셋을 장착. 더욱 강력해진 음원을 통한 보다 다양하고
하이퀄리티의 사운드를 연출할 수 있습니다.
> USB
단자와 컴퓨터를 연결하여 컴퓨터를 통한 고품질의 레코딩이 가능하며,
X-Edit 소프트웨어를 사용하여 직접 컴퓨터상에서 RP500의 사운드를 편집하고 저장할
수 있습니다.
> 리버브
이펙터의 대명사 렉시콘
리버브를
탑재.
> 앰프/캐비넷
바이패스 버튼을 사용하여 프리셋에 적용중인 앰프/캐비넷 모델링 효과를 끄거나 켤 수 있습니다. 이
기능은 프리셋에 모델링 효과를 배재하고 순수한 이펙터 효과만을 주고 싶을 때 쉽고 빠르게 사용할 수 있는 기능입니다.
<
특징>
>
이펙터 스위칭 시스템을 통한 내부 스톰박스와 이펙터의 컨트롤
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5개의 풋스위치 버튼을 통해 프리셋 이동이 용이
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모든 프리셋에 대한 앰프/캐비넷 바이패스 기능
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40가지 톤, 40가지 이펙터 라이브러리
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200개의 프리셋 (100 자체 프리셋 + 100 사용자 프리셋)
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스톰박스, 코러스, 딜레이, 앰프, 캐비넷을 포함한 125 이상의 이펙터
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딜레이 이펙터의 경우 5초 이상의 딜레이 효과
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24-bit 44.1kHz 샘플 레이트
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기존 RP와는 다른 메탈 스위치
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밝아진 프로그램 정보 LED 디스플레이
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크로매틱 튜너 내장
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그라운드 접지가 되어있는 독립적인 XLR 레프트/라이트 아웃풋
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독립적인 1/4 레프트/라이트 아웃풋
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앰프/믹서 스위치
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스테레오 1/8“ 헤드폰 아웃풋
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스테레오 1/8“ CD/MP3 인풋
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내부 와우, 볼륨, 와미, 그 밖의 다른 파라미터를 실시간 컨트롤하는 익스프레션 페달
>
금속 외장
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Cubase LE4 레코딩 소프트웨어 포함
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X-Edit 소프트웨어 포함- 컴퓨터상에서 RP500의 프리셋 작업이 가능합니다.
>
2 X 2 USB 오디오 스트리밍
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전원 아답터 포함
<Distortions>
> SCREAMER (Based on an Ibanez?
TS-9) > TS 808 (Based on an Ibanez TS-808 Tube
Screamer) > SPARKDRIVE (Based on a Voodoo? Lab Sparkle
Drive?) > OD OVERDRIVE (Based on a Guyatone? Overdrive
OD-2) > DOD 250 (Based on a DOD? 250
Overdrive/Preamp) > RODENT (Based on a Pro Co
RAT™) > MX DISTORTION (Based on an MXR? Distortion
+) > DS (Based on a Boss? DS-1™
Distortion) > GRUNGE (DigiTech?
Grunge?) > ZONE (Based on a Boss MT-2 Metal
Zone?) > DEATH METAL (DigiTech Death
Metal™) > GONKULATOR (Based on a DOD? Gonkulator
Ring Modulator) > 8TAVIA (Based on a Roger Mayer
Octavia™) > FUZZLATOR (Based on a Demeter
Fuzzulator) > CLASSIC FUZZ (Based on a DOD Classic
Fuzz) > FUZZY FACE (Based on an Arbiter? Fuzz
Face™) > BIG PI (Based on an Electro-Harmonix? Big Muff
Pi?) > REDLINE (DigiTech? Redline
Overdrive)
<Amps>
57 CHAMP Based on a '57 Fender? Tweed
Champ? 57 DELUXE Based on a '57 Fender? Tweed
Deluxe™ 59 BASSMAN Based on a '59 Fender? Tweed
Bassman? 62 BROWN BASSMAN Based on a '62 Fender? Brownface
Bassman? 65 TWIN REVERB Based on a '65 Fender? Blackface
Twin Reverb? 65 REVERB (Based on a '65 Fender Blackface
Deluxe Reverb? 65 JTM-45 (Based on a '65 Marshall?
JTM-45 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt
Super Lead (plexi) 68 JUMP PANEL Based on a '68 Marshall
Jump Panel 77 MASTER VOLUME Based on a '77 Marshall Master
Volume 83 JCM800 Based on an '83 Marshall
JCM800 93 JCM900 Based on a '93 Marshall
JCM900 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo
Channel) 62 AC15 Based on a '62 Vox? AC15 63 AC30
TOP BOOST Based on a '63 Vox AC30 Top Boost 69 HIGH
WATTAGE Based on a '69 Hiwatt? Custom 100 DR103 81 MARK
IIC Based on an '81 Mesa Boogie? Mark II C 01 DUAL
RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier MARK
4 Based on an '93 Mesa Boogie Mark IV TRIPLE
RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier 99
LEGACY VL-100 Based on a Carvin? Legacy VL-100 96 MATCH
HC-30 Based on a '96 MatchlessTM HC30 88 SLO-100
Based on an '88 Soldano SLO-100 GA-40 Based on a Gibson?
GA-40 5150 II Based on a Peavey? 5150? II JAZZ
COMBO Based on a Roland? JC-120 SOLAR 100S Based on
a Sunn? 100S HT-100 Based on a Randall? HT-100 OJ
120 Based on a Orange™ OR 120 SUPER G Based on a
Laney™ Supergroup DIGITECH SOLO DigiTech?
Solo DIGITECH METAL DigiTech Metal DIGITECH
BRIGHT CLEAN DigiTech Bright Clean DIGITECH CHUNK
DigiTech Chunk DIGITECH CLEAN TUBE DigiTech 2101 Clean
Tube DIGITECH CRUNCH DigiTech Crunch DIGITECH
BLUES DigiTech Blues DIGITECH FUZZ DigiTech
Fuzz DIGITECH SPANK DigiTech Spank DIGITECH HIGH
GAIN DigiTech High Gain DIGITECH MONSTER - Maxed
out gain DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface
poweramp DIGITECH “BLACKBASS” – ’65 Blackface preamp w/
Bassman poweramp DIGITECH STONERROCK – Thick, sludgy
distorted amp tone DIGITECH DARKMETAL – Responsive, tight
metal tone DIGITECH TRANSISTOR – Solid state transistor amp
sound DIGITECH BROWNSOUND – Hot rodded 80’s stack
tone DIGITECH MOSH – Chunky metal tone with just the right
amount of sizzle 2101 CLEAN TUBE DigiTech GSP2101TM Artist
Clean Tube 2101 SATURATED TUBE DigiTech GSP2101 Artist
Saturated Tube DIRECT No amp model DREADAUGHT
ACOUSTIC JUMBO ACOUSTIC
<Cabinets>
CHAMP 1X8 Based on a 1x8
'57 Fender? Tweed Champ? DELUXE 1X12 Based on a
1x12 '57 Fender Tweed Deluxe? DELUXE REVERB 1X12 Based
on a 1x12 '65 Fender Blackface Deluxe Reverb BRITISH
1X12 Based on a 1x12 '62 Vox? AC15 w/20W Vox
Speaker BLONDE 2X12 Based on a 2x12 '57 Fender
Blonde Bassman? TWIN 2X12 Based on a 2x12 '65
Fender Blackface Twin Reverb? BRITISH 2X12 Based on
a 2x12 '63 Vox? AC0 Top Boost w/ Jensen? Blue Backs BASSMAN
4X10 Based on a 4x10 '59 Fender Tweed
Bassman? BRITISH 4X12 Based on a 4x12 Marshall?
1969 Straight w/ Celestion? G12-T70 GREENBACK 4X12 Based
on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs FANE
4X12 Based on a 4x12 Hiwatt? Custom w/ Fane
Speakers BOUTIQUE 4X12 Based on a 4x12 '96 VHT?
Slant w/ Celestion Vintage 30’s VINTAGE 4X12 Based
on a 4x12 Johnson? Straight w/ Celestion Vintage 30’s DIGITECH
SOLO 4X12 4x12 DigiTech? Solo DIGITECH BRIGHT 2X12
2x12 DigiTech Bright DIGITECH METAL 4X12 4x12 DigiTech
Metal DIGITECH ROCK 4X12 4x12 DigiTech
Rock DIGITECH ALT 4X12 4x12 DigiTech Alt
Rock DIGITECH VINTAGE 4X12 4x12 DigiTech
Vintage DIGITECH CHUNK 4X12 4x12 DigiTech
Chunk DIGITECH SPANK 4X12 4x12 DigiTech
Spank DIGITECH SPEAKER COMP 4x12 DigiTech Speaker
Compensation DIRECT No cabinet
model
<Effects>
Wahs: DigiTech? Wah Cry Wah
Based on a Dunlop? Cry Baby™ Wah Clyde Wah Based on a Vox? Clyde McCoy™ Wah
Compressors: DigiTech? Compressor CS
Compressor Based on an Boss? CS-2 Compressor/Sustainer Dyna Comp Based on an
MXR? Dynacomp™
Noise Gate: DigiTech? Silencer™ Noise
Gate DigiTech Auto Swell Gate
EQ: 3-band
semi-parametric EQ
Chorus Stompbox Models: DigiTech?
Dual Chorus DigiTech Multi-Chorus DigiTech Glistening Chorus CE Chorus
based on a Boss? CE-2 Chorus TC Chorus based on a TC Electronics?
Chorus
Flanger Models: DigiTech? Flanger DigiTech
Triggered Flanger MX Flanger based on MXR? Flanger EH Flanger based on
Electro Harmonix? Electric Mistress™ AD Flanger based on ADA™
Flanger
Phaser Models: DigiTech? Phaser MX Phaser
based on MXR? Phase 100 EH Phaser based on Electro Harmonix? Small
Stone™
Pitch Models: DigiTech? Whammy™
DigiTech? Pitch Shift DigiTech? Detune DigiTech? Harmony Pitch
Octaver based on a Boss? OC-2 Octaver™
Vibrato / Rotary
Models: DigiTech? Vibrato DigiTech? Rotary DigiTech? Vibro
/ Pan Unovibe based on a Unicord Uni-Vibe™
Tremolo Models:
DigiTech? Tremolo DigiTech? Panner DigiTech ScatterTrem –
Dual tremolo effect Opto Tremolo based on a Fender? Opto Tremolo™ Bias
Tremolo based on a Vox? Bias Tremolo
Envelope / Special
Models: DigiTech? Auto Yah™ DigiTech? YaYa™
DigiTech? Synth Talk™ DigiTech? Step Filter DigiTech? Sample &
Hold DOD FX25 based on DOD? FX25 Envelope Filter
Delays:
Digital Delay Analog Delay Pong Delay Modulated Delay
Tape Delay Reverse Delay DM Analog Delay based on Boss? DM2 Analog
Delay Echo Plex based on a Maestro EP-1 Tube Echoplex
Reverbs: Lexicon? Ambience Lexicon?
Hall Lexicon? Room Lexicon? Studio Spring based on a Fender? Twin
Reverb™ EMT240 based on an EMT? 240 Plate Reverb
<Specifications>
General
Specifications
Chassis: Durable cast metal
construction
Display:
Large 8 character
alpha-numeric and 2 character numeric LED display
Controls:
Footswitches: 9 heavy duty
vacuum-style switches control Bypass, Tap Tempo, Bank
up/down, Program
up/down, Tuner, program access and stompbox/effect
on/off
Expression pedal
Built-in A/D
Converter:
24-bit high performance
audio D/A
Converter:
24-bit high performance audio Sampling
Frequency: 44.1kHz
throughout DSP
Section:
1 Audio DNA2™ DSP Processor Preset
Memory: 99 User / 99 Factory
Presets
Analog Input Connections
Guitar input: Impedance: 1M Ohms Maximum input signal: 8 dBu
Analog Output
Connections
Line
Outputs: Impedance: 1K Ohms unbalanced / 2K Ohms balanced Maximum
Output Level: 23 dBu
Mixer Outputs: Impedance: 2K Ohms balanced Maximum Output
level: 23 dBu
Headphone
Outputs: Minimum Headphone
Impedance: 50
Ohms Output Power: 250 mW /
channel Electronic SNR: ≥
110dB
USB:2.0
compliant Audio streaming: 2 channels to computer,
2 channels from computer Sample rate: 44.1
kHz
Size/Weight Unit
Dimensions: 19.5” x 2.25” x 8.75” (W x H x
D) Shipping Dimensions: 21” x
4” x 11” (W x H x D) (approximate) Shipping Weight:
8.0 lbs (approximate)
Computer
Minimum System Requirements:
Windows:
Vista
Home/Premium XP Home/Professional (SP2 installed, .NET 2.0
installed*)
Pentium?/Athlon™ 1.4GHz or later
512MB RAM (1GB RAM
recommended)
180MB hard disk space for application
DVD-ROM drive
USB Port
Internet connection required for Cubase activation
*.NET 2.0 will be installed during installation of X-Edit software if
required
on XP systems
Mac:
OS 10.4.x
or later
PowerPC G4/G5 1GHz or later
512MB RAM (1GB RAM recommended)
180MB hard disk space for application
DVD-ROM drive
USB Port
Internet connection required for Cubase activation
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